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There’s nothing I can say that hasn’t already been said about “Goodfellas”… it’s one of the best movies ever. To hell with the AFI, this is arguably one of the top 10 American movies ever made! Martin Scorsese, Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco: five profitable talents operating on all 8 cylinders in this record about three decades of life in the mob.
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Now, you’d reflect that Warner Brothers would give this movie the most complete Warner DVD release that’s ever existed. A interested favorite following, a high level of anticipation for a special edition, and the recent booming plot of the DVD industry should’ve made this a no-brainer slam dunk for Warner’s marketing and home video departments. And so, after years of having to flip over the customary disc, after years of almost crushing that flimsy snap case, after years of listening to that 5.1 surround that sounded suspiciously like 2-channel, should you earn this original version?? The reply is a resounding…”maybe”.
Arguably the biggest plus to this current edition of “Goodfellas” is the fact that the whole movie is contained on a single side of a dual-layered disc. The “all-new digital transfer”, enhanced for 16:9, is only a marginal improvement over the novel release (which was also listed as being “enhanced for widescreen TVs” on the package; it wasn’t) . Strangely enough, in the scene where Jimmy (De Niro) and Paulie (Paul Sorvino) go to convince Henry to go home to Karen, there is a very noticeable screen-split line on the film that sections De Niro’s face in half. This isn’t the transfer’s scrape, per se; it looks more like something off the film print. The curious thing is I don’t remember this crawl being reveal on the frail version. Maybe it’s only a minor peeve, but calm, this is the kind of thing you’d query a studio to trim up for a special edition.
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The English audio is the same primitive Dolby-Surround-masquerading-as-5.1 mix passe in the conventional version. The package incorrectly lists Spanish as the alternate language; it’s level-headed French. Nothing more to say about that.
The disc menus are static, and they all have this generic-sounding jazz obtain playing over them. Remember all the jazz in “Goodfellas”? Yeah, me neither.
Of course, the staunch reason most people are running out to obtain this unusual place is to perceive the special features. This DVD includes 2 commentaries: one with various cast & crew members, the other with Henry Hill & ex-FBI agent Ed McDonald (who plays himself at the slay of the movie) . Of the 2 commentaries, the track with real-life players Hill and McDonald is infinitely more challenging, even though Hill mumbles more than Keith Richards having an acid flashback.
When I bought this position, I was looking forward to some feature-length Scorsese, Pesci, Liotta &/or Bracco commentary (I didn’t dare to hope for Robert De Niro, I mean, be serious), with some humorous stories or moviemaking info. Instead, what you salvage is a few modern comments cobbled together with 10-15 year former sound bites from De Niro and Joe Pesci. Basically, the first 90 minutes of commentary is a total strokefest (”oh-this-guy-was-so-great”, “oh-she-did-a-really-good-job”) with only Scorsese, author Cleave Pileggi, Liotta, and cinematographer Michael Ballhaus saving it. It picks up towards the ruin, though, when Lorraine Bracco (who shoots down the “screen-specific commentary” illusion when she talks about having watched the movie on the morning she’s being interviewed) and editor Thelma Schoonmaker topple some comical thoughts.
As for the rest of the extras? There’s really no need to have a second disc to gain them; the total running time of all the “documentaries”, as Warner calls them (”featurettes”, I call ‘em), along with the theatrical trailer is less than an hour. Plenty of room for these on the first disc, but then I guess Warner felt they needed another selling point with the whole 2-disc thing. To summarize the 1/2-hour making-of documentary: “Martin Scorsese is a enormous director.” Remember those 6 words and everything else is cream cheese.
The second major documentary, at around 13 minutes long, has interviews with some younger writer-directors who’ve found themselves influenced by “Goodfellas”. Only 5 words to remember this time: “‘Goodfellas’ is a shiny movie.”
The other two featurettes are about 10 minutes altogether. One is a storyboard-to-screen comparison, the other is a slight throwaway share with some cast & crew anecdotes. 4 words will do this one unprejudiced fine: “Warner Brothers is slothful.”
It’s really a shame that Warner Brothers couldn’t wait honest a tad longer and include some truly special features for one of the best movies their studio has ever produced. With the stellar jobs they’ve done on their other 2-disc reissues, like “Enter the Dragon”, “The Fair Stuff”, “Singin’ in the Rain” –jeez, even “Robin Hood: Prince of Thieves” has better features than this!!– I expected Warner Bros. to really pull out all the stops for this current edition of “Goodfellas”, but it’s a enormous letdown. Quiet, it is an improvement (no matter how minor) over the previous release, and as it is probably the “best” version we’re ever gonna pick up on DVD, I would have to recommend picking it up.
However, if you already beget the movie, sustain three things in mind. Ask yourself 1.) if you really mind flipping the old-fashioned disc over, 2.) if you’ve got a normal full-screen TV, do you really need a fresh anamorphic transfer?, and 3.) do you really need to scrutinize the special features if they’re not exactly top quality? If your acknowledge to any of these things is “no”, then I’d reflect long and hard about shelling out another $20.
Goodfellas has long been one of my accepted movies. I’ve watched it many times since I saw it in the theater. I’ve seen it on tape, on laserdisc, on the novel “flipper” DVD and the remastered anamorphic DVD, and now, Blu-Ray Disc.
I’m jubilant to relate that the Blu-Ray is a well-known improvement over the remastered DVD. The recount is brighter, the colors are more lustrous, and many scenes have distinguished more detail and clarity. Of course, the overall describe is distinguished sharper.
Goodfellas is not the kind of movie that is a showcase for high-resolution video, however. It has a lot of shaded indoor scenes; very shrimp takes position outdoors (something I never noticed before) . I noticed some graininess, which has a lot to do with how Scorcese shot the portray. It’s unprejudiced more noticeable in the higher resolution.
There are some minor problems with the audio in one scene. The dialogue drops in volume and then jumps befriend up in the following scene. Other than that, the audio is exquisite, although I would have liked a more aggressive surround mix, at least in the musical selections. However, there’s not distinguished exhaust of the surrounds here.
Also, at one point there’s a vertical line halfway across the shroud. Why this wasn’t cleaned up is mystery to me; it lasts for about fifteen seconds. Admittedly this is a very minor quandary, but with expensive fresh technology flaws of this kind stand out more than they would on tape or standard DVD.
If you’re a fan of the movie and are considering upgrading to the Blu-Ray, I’d highly recommend it. It’s not an eye-popping effects movie to commence with, so this disc isn’t the first one to near for if you want to point to off your system. But it’s probably the best arrangement to stare the movie.
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